Can poetry ease an immigrant’s sense of dislocation? Only to the extent that it might help understand it a bit better.
Martin Espada, who is one of my favourite modern poets (see his ‘The Republic of Poetry’ below) is a Puerto Rican writer from New York.
He describes himself as “doubly dislocated: first, there is dislocation from Puerto Rico; secondly, there is Puerto Rico’s dislocation from itself.”
It’s both troubling and curiously liberating, he once said.
“If I am always at the margins, then I am by necessity the observer; if I am always on the outside, then I am by definition independent; if I am never anchored to one place, then I am free to wander; if I am never blinded by loyalty, then I am free to speak the truth as I see it.”
If that sounds ever so subtly like poetry, that’s because Mr Espada’s prose always has the right cadence, even when he’s speaking truth to power:
“Puerto Rico is a colony of the United States. It may be a truism that you can’t go home again, but it’s especially true when home is an occupied territory. A Puerto Rican writer from New York, like myself, is twice alienated. I never forget that in this country I belong to a marginalized, silenced, even despised community; yet, in Puerto Rico, as a ‘Nuyorican’ poet, I am marginalized again.”
The Republic of Poetry:
In the republic of poetry,
a train full of poets
rolls south in the rain
as plum trees rock
and horses kick the air,
and village bands
parade down the aisle
with trumpets, with bowler hats,
followed by the president
of the republic,
shaking every hand.
In the republic of poetry,
monks print verses about the night
on boxes of monastery chocolate,
kitchens in restaurants
use odes for recipes
from eel to artichoke,
and poets eat for free.
In the republic of poetry,
poets read to the baboons
at the zoo, and all the primates,
poets and baboons alike, scream for joy.
In the republic of poetry,
poets rent a helicopter
to bombard the national palace
with poems on bookmarks,
and everyone in the courtyard
rushes to grab a poem
fluttering from the sky,
blinded by weeping.
In the republic of poetry,
the guard at the airport
will not allow you to leave the country
until you declaim a poem for her
and she says Ah! Beautiful.